What is fair dealing? Is it the same as fair use (sort of, but not quite)? Is it anything to do fair comment (not obviously)? Is it fair if there’s no credit (not really). And is all fair in love and war? Alex Wade ponders at least some of these questions in the piece below, just published on the Women in Film and TV website.
Understanding all the permissions needed to use books in a TV production can feel like a tangled, complicated mess. There are so many rabbit holes to go down, and when you’re faced with a stack of last-minute requests, it can seem impossible to manage.
The definition of “clear” can be ambiguous, but if we think about it in the way it’s most commonly used—usually by someone stressed with a lot on their plate—it’s essentially shorthand for:
“Can I put this on camera without getting in trouble?”
Essentially, clearances are the process of ensuring that any copyrighted material included in a production has the appropriate permissions secured, with all the paperwork signed and logged. Sometimes this means obtaining a formal release signed and countersigned, with fees paid. Other times, it might mean a lawyer has approved the use of a copyrighted item without additional permissions.
Alex Wade
Alex Wade
